The Emperor And The Poor Author


"The pen is mightier than the sword."





Great men are not the less liable or addicted to very small, and very

mean, and sometimes very rascally acts, but they are always fortunate

in having any amount of panegyric graven on marble slabs, shafts and

pillars, o'er their dust, and eulogistic and profound histories written

in memories of the deeds of renown and glory they have executed. An

America
74-gun ship would hardly float the mountains of tomes written

upon Bonaparte and his brilliant career, as a soldier and a conqueror;

but how precious few, insignificant pages do we ever see of the

misdeeds, tyrannies and acts of petty and contemptuous meanness so great

a man was guilty of! Why should authors and orators be so reluctant to

tell the truth of a great man's follies and crimes, seeing with what

convenience and fluency they will lie for him? We contend, and shall

contend, that a truly great man cannot be guilty of a small act, and

that one contemptible or atrocious manifestation in man, is enough to

sully--tarnish the brightness of a dozen brilliant deeds; but

apparently, the accepted notion is--vice versa.



In 1830, there lived in the city of Philadelphia, a barber, a poor,

harmless, necessary barber. His antique, or most curious costume,

attracted much attention about the vicinity in which he lived, and no

doubt added somewhat to the custom of his shop, itself a bijou as

curious almost as the proprietor. But as our story has but little to do

with the queer outside of the barber or his shop, and we do not now

purpose a whole history of the man, we shall at once proceed to the pith

of our subject--the Emperor and the poor Author, or Napoleon and his

Spies--and in which our aforesaid Philadelphia barber plays a

conspicuous part.



Some of the writers, a few of those partially daring enough to give an

impartial expose of the history of the Bonapartean times, seem to

think that Napoleon committed a great error in his accession to the

throne, by doubting the stability of his reign, and having pursued

exactly measures antipodean to those necessary to seat him firmly in the

hearts of the people, and cement the foundation of his newly-acquired

power. But we don't think so; the means by which he obtained the giddy

height, to a comprehensive mind like his, at once suggested the

necessity of vigilance, promptness, and unflinching execution of

whatever act, however tyrannous or heartless it might have been, his

unsleeping mind suggested--



"Crowns got with blood, by blood must be maintained."



Jealous and suspicious, he sought to shackle public opinion--the fearful

hydra to all ambitious aspirants--to know all secrets of the time and

states, and render one half of the great nations he held in his grasp

spies upon the other! The most profligate principles of Machiavel sink

into obscurity when contrasted with the Imperial Espionage of

Napoleon. When no longer moving squadrons in the tented field--whole

armies, like so many pieces of chess in the hands of a dexterous

player--he sat upon his throne, reclined upon his lounge or smoked in

his bath, organized and moved the most difficult and dangerous forces in

the world--an army of Spies!



All ages, from that of infancy to decrepitude--all conditions of life,

from peer to parvenu--from plough to the anvil--pulpit to the

bar--orators and beggars, soldiers and sailors, male and female of every

grade--men of the most insinuating address, and women of the most

seductive ages and loveliness, grace and beauty were enlisted and

trained to serve--in what the pot-bellied, bald-headed little monster of

war used to call his Cytherian Cohort! Snares set by these imperial

policemen were difficult to avoid, from the almost utter impossibility

of suspicioning their presence or power.



In 1808, a learned Italian, noble by birth, in consequence of the

movements and executions of Napoleon, found it prudent to shave off

his moustache and titles, and change the scene of his future life, as

well as change his name. A master of languages and a man of mind, he

sought the learned precincts of Leipsic, Germany, where he preserved his

incognito, though he was not long in winning the grace, and other

considerations due enlarged intellect, from those not lacking that

invaluable commodity themselves. Herr Beethoven--the new title of our

Italian "mi lord"--conceived the project of convincing the mighty

Emperor--the hero of the sword--that so little a javelin as the pen

could puncture the sac containing all his great pretensions, and let

the vapor out; in short, to show the conqueror, that the pen was

mightier than his magic sword. Beethoven purposed writing a pamphlet

memorial, involving the bombastic pretensions, the gigantic

extravagance and arrogant ambition of Bonaparte. The man of letters well

knew the ground upon which he was to tread, the danger of ambushed foes,

involving such a brochure, and the caution necessary with which he was

to produce his work. But Beethoven felt the necessity of the production;

he possessed the power to execute a great benefit to his fellow man, and

he determined to wield it and take the chances. Though scarcely giving

breath to his project--guarding each page of his writing as vigilantly

as though they were each blessed with the enchantment of a

Koh-i-Noor--a mysterious agency discovered the fact--Napoleon shook

in his royal boots, and swore in good round French, when the following

missive reached his royal eye:--



Sire(!)--A plot is brewing against your peace; the safety of your

throne is menaced by a villainous scribe. My informant, who has

read the manuscripts, informs me that he has never seen any thing

better or more imposing, and ingenious in argument and force, than

the fellow's appeal to all the crowned heads and people of Europe.

It is calculated to carry an irresistible conviction of the wrongs

they suffer from your imperial majesty to every breast. These

manuscripts are fraught with more danger to your Imperial Majesty's

Empire, than all the hostile bayonets in the world combined against

you, Sire.



Leipsic, 1808. Baron De----.



Here was a hot shot dangling over the magazines of the mighty man, and

the "little corporal" jumped into his boots, and began to set the wheels

of his great "expediency" in motion. A message flew here, and another

there; a dispatch to this one, and a royal order to that one. A dozen

secretaries, and a score of amanuensises were instantly at work, and

the alarmed "Emperor of all the French" fairly beat the reveille upon

his diamond-cased snuff box; while, with the rapidity of the clapper of

an alarm bell, he issued to each the oral order to which they were to

lend enchantment by their rapid quills.



Herr Beethoven was surprised in his very closet! Papers were found

scattered all over his little sanctum--the spies had him and his

effects, most promptly; but what was the rage and disappointment of the

emissaries of the wily monarch, to find neither hair nor hide of the

dreaded fiat! Had it gone forth? Was it secreted? Was it written?



They had the man, but his flesh and blood were as valueless as a

pebble to a diamond, contrasted with the witchery of the words he had

invested a few sheets of simple paper with! They searched his

clothes--tore up his bed, broke up his furniture, powdered his few

pieces of statuary, but all in vain--the sought for, dreaded, and hated

documents, for which his Imperial highness would have secretly given

ten--twenty--fifty thousand louis--was not to be found! The rage of

the inquisitors was terrific--showing how well they were chosen or paid,

to serve in their atrocious capacities. The poor scribe was promised all

manner of unpleasant finales, cursed, menaced, and finally coaxed.



"I have written nothing--published nothing, nor do I intend to write or

publish anything," was Beethoven's reply.



"Speak fearlessly," said the chief of the inquisitors, "and rely upon a

generous monarch's benevolence. My commission, sir, is limited to

ascertain whether poverty has not compelled you to write; if that be the

case, speak out; place any price upon your work--the price is nothing--I

will pay you at once and destroy your documents."



"Your offers, sir," responded the poor author, "are most kind and

liberal, and I regret extremely that it is not in my power to avail

myself of them. I again declare, sir, that I have never written anything

against the French government--your information to the contrary is false

and wicked."



The spies, finding they could not gain any information of the author, by

threat or bribe, carried him to France, where his doom was supposed to

be sealed in torture and death, in the Bastile of the Emperor.



But where was this fearful manuscript--this dreaded scribbling of the

God-forsaken, poor, forlorn author? The emissaries of his serene

highness had the blood, bones, and body of the wretched scribe, but

where was that they feared more than all the warlike forces of a million

of the best equipped forces of Europe--the paltry paper pellets of a

scholar's brain--the memorial to the crowned heads, and people of the

several shivering monarchies of continental Europe?



A few brief hours--not two days--before the pseudo Herr Beethoven was

honored by the special considerations and attentions of the Emperor of

all the French--the conqueror of a third, at least, of the civilized

world--he had conceived suspicions of a man to whom in the most

profound confidence he had revealed a slight whisper of his

projects--impressed with the foreshadowing that a mysterious something

dangerous was about to menace him, he made way with the manuscripts, to

which his soul clung as too dear and precious to be destroyed--he gave

them to the charge of a tried friend--and before the Cytherian Cohort

were upon the threshold of the author, his memorial was snugly

ensconced in the obscure and remote secretary of a gentleman and a man

of letters, in the renowned city of Prague. The alarm and friend's

appearance seemed most opportune--for an hour after the visitation of

the one, the other was at hand--the documents transferred and on their

way to their place of refuge.



But difficult was the stepping-stone to Napoleon's greatness--the more

the mystery of the manuscripts augmented--the more enthusiastic became

his research--the more formidable appeared the necessity of grasping

them; and the determination, at all hazards, to clutch them, before they

served their purpose!



"Bring me the manuscripts"--was the fiat of the Emperor: "I care not

how you obtain them--get them, bring them here; and mark you, let

neither money, danger nor fatigue, oppose my will. Hence--bring the

manuscripts!"



Again Leipsic was invested by the Cytherian Cohort of the modern

Alexander; the rival of Hannibal, the great little commandant of the

most warlike nation of the earth. The Baron ----, who was master of

ceremonies in this great enterprise, now arrested the secret agent who

had given the information of the existence of the memorial. This

wretch had received five hundred crowns for his espionage and

treachery. His fee was to be quadrupled if his atrocious information

proved correct; so dear is the mere foreshadowing of ill news to

vaunting ambition and quaking imposters. Bengert, the German spy, was

sure of the genuineness of his information--he was much astonished that

the Baron had not seized the memorial, as well as the body of the

hapless author. The Baron and the treacherous German conferred at

length; an idea seemed to strike the spy.



"I have it," he exclaimed, a few days before his arrest. "I saw a friend

visit Beethoven; I know they both entertained the same sentiments in

regard to the Emperor--that man has the manuscripts."



Where was that man? It was finding the needle in the hay stack--the

pebble in the brook. Again the Emperor urged, and the Cytherian Cohort

plied their cunning and perseverance. That friend of the poor author

was found--he was tilling his garden, surrounded by his flower pots and

children, on the outskirts of Prague, Bohemia. It was in vain he

questioned his captors. He dropped his gardening implements--blessed his

children--kissed them, and was hurried off, he knew not whither or

wherefore! Shaubert was this man's name; he was forty, a widower--a

scholar, a poet--liberally endowed by wealth, and loved the women!



It was Baron ----'s province to find out the weak points of each victim.



"If he has a particular regard for poetry, he does love the fine

arts," quoth the Baron, "and women are the queens of fine arts. I'll

have him!"



In the secret prison of Shaubert he found an old man, confined for--he

could not learn what. Every day, the yet youthful and most fascinating,

voluptuous and beautiful daughter of the old man, visited his cell,

which was adjoining that of Shaubert's. As she did so, it was not long

before she found occasion to linger at the door of the widower, the

poet--and sigh so piteously as to draw from the victim, at first a holy

poem, and at length an amative love lay. Like fire into tow did this

effusion of the poet's quill inflame the breast and arouse the passions

of the lovely Bertha; and in an obscure hour, after pouring forth the

soul's burden of most vehement love, the angel in woman's form(!), with

implements as perfect as the very jailor's, opened all the bolts and

bars, and led the captive forth to liberty! She would have the poet who

had entranced her, fly and leave her to her fate! But poetry scorned

such dastardy--it was but to brave the uncertainty of fate to stay, and

torture to go--Bertha must fly with him. She had a father--could she

leave him in bondage? No! She had rescued her lover--she braved

more--released her parent in the next hour, by the same mysterious

means, and giving herself up to the tempest of love, she shared in the

flight of the poet. In a remote section of chivalric Bohemia, they found

an asylum. But Bertha was as yet but the deliverer from bondage, if not

death, of her soul's idol; he, with all the warmth and gratitude of a

dozen poets, worshipped at her feet and besought her to bless him

evermore by sharing his fate and fortune. There was a something

imposing, a something that brought the pearly tear to the heroic girl's

eye and made that lovely bosom undulate with most sad emotion. The poet

pressed her to his heart--fell at her feet, and begged that if his

life--property--children--be the sacrifice--but let him know the secret

at once--he was her friend--defender--lover--slave. Another sigh, and

the spell was broken.



"Why--ah! why were you a state prisoner--a secret prisoner in

the ----?"



"Loved angel," answered the poet, "I scarce can tell; indeed I have not

the merest hint, in my own mind, to tell me for what I was arrested

and thrown into prison!"



"Ah! sir," sighed the lovely Bertha, "I can never then wed the man I

love--I cannot brave the dangers of an unknown fate--at some moment

least expected, to be torn from his arms--lost to him forever!"



"We can fly, dearest," suggested the poet, "we can fly to other and more

secure lands. In the sunshine of your sweet smile, my dear Bertha,

obscurity--poverty would be nothing."



"No," said the girl, "I cannot leave my father--the land of my

birth--home of my childhood. I that have given you liberty, may point

out a way to deliver you from further restraint. How I learned the

nature of your crime, ask not; I know your secret."



"Ah! what mean you?"



"In a foolish hour," continued the lovely Bertha, with downcast eyes and

heaving bosom, "you impaled your generous self to save a friend--the

friend fled--you were arrested--"



"Good God!" exclaimed the poet, "Herr Beethoven----"



"Gave you possession of----" she continued.



"No! no! no!" interposed the affrighted poet, daring not to breathe

"yes," even to the ear of his fair preserver.



"Sir," calmly continued the girl, "I have risked my own life and liberty

to preserve yours, I have----"



"I--I know it all, dear--dearest angel, but----"



"Those manuscripts," she continued, fixing her keen but melting gaze

upon the poor victim.



"Ha! manuscripts? How learned you this? No, no, it cannot be----"



"It is known--I know it--I learned it from your captors; but for my

love," said the girl, "mad--guilty love--your life would have been

forfeited--your house pillaged by the emissaries of the Emperor, in

quest of those manuscripts. While they exist, Bertha cannot be

happy--Bertha's love must die with her--Bertha be ever miserable!"



"I-a--I will--but no! no! I have no manuscripts! It is false--false!"

exclaimed the almost distracted poet.



"Herr Shaubert," said the girl, clasping the hand of the poet, and

throwing herself at his feet, "am I unworthy your love?"



"Dear, dear Bertha, do not torture me! do not, for God's sake! Rise; let

me at your feet swear, in answer--No!"



"Then, within four-and-twenty hours, let me grasp that hated, damned

viper, that would gnaw the heart's core of Bertha. Give me the key of

your misery; O! bless me--bless your Bertha; give me those accursed

manuscripts, daggers bequeathed you by a false friend, that I may at

once, in your presence, give them to the flames; and Bertha, the idol of

your soul, be ever more blessed and happy!"



This appeal settled the business of the poet; he walked the room,

sighed, tore his mouchoir, oscillated between honor and

temptation--the angel form and syren tongue of the woman triumphed. In

course of a dozen hours, Bertha, the lovely, enchanting spy, opened

the secret drawers of the poet's secretary, and amid carefully-packed

literary rubbish, the dreaded memorial was found--clutched with the

eagerness of a death-reprieve to a poor felon upon the verge of

eternity, and with the despatch of an hundred swift relays, the poor

author's manuscripts were placed in the hands of the mighty Emperor, and

while he read their fearful purport, and flashed with rage or grew livid

with each scathing word of the memorial, he hurriedly issued his

orders--gain to this one, sacrifice to that one; while he made the spy a

countess, he ordered hideous death to the poor poet and despair and

misery to his children.



"Fly!" the monarch shouted, "search every one suspected of a hand in

this; let them be dealt with instantly--trouble me not with detail, but

give me sure returns. Stop not, until this viper is exterminated; egg

and tooth; fang and scale; see it done and claim my bounty--fly!"



That snake was scotched and killed--the few brief pages of an obscure

author that drove sleep, appetite and peace from the mighty Emperor, for

days and nights--made busy work for his thousands of

emissaries--scattered his gold in weighty streams--was read, cursed and

destroyed, and all suspected as having the slightest voice or opinion in

the secret memorial, met a secret fate--death or prolonged

wretchedness.



Herr Beethoven, the poor author, alone escaped; being overlooked in the

hot pursuit of his production, and by the blunder of those having charge

of himself and hundreds of other state prisoners--guilty or suspected

opponents to the vaulting ambition and power of him that at last ended

his own eventful career as a helpless prisoner upon an ocean isle--was

liberated and lost no time in making his way beyond the reach of

monarchs, tyranny and bondage. Beethoven came to America and settled in

Philadelphia, where, in the humble capacity of an e-razer of beards and

pruner of human mops, he eked out a reasonable existence for the residue

of his earthly existence; few, perhaps, dreaming in their profoundest

philosophy, that the little, eccentric-attired, grotesque-looking

barber, who tweaked their plebeian noses and combed their caputs, once

rejoiced in grand heraldic escutcheons upon his carriage panels as a

veritable Count, and still later made the throne tremble beneath the

feet of a second Alexander!



But God is great, and the ways of our every-day life, full of change and

mystery.



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